Indigenous Read in Color Recommended Reads

Being Home by Traci Sorell, illustrated by Michaela Goade (32 pp, Kokila, 2024). Today is a day of excitement—it’s time to move! As a young Cherokee girl says goodbye to the swing, the house, and the city she’s called home her whole life, she  readies herself for the upcoming road trip. While her mother drives, the girl draws the changing landscape outside her window. She looks forward to the end of the journey, where she’ll eat the feast her family has prepared, play in the creek with her cousins, and settle into the new rhythm of home. With warm, expressive artwork and spare, lyrical prose, the story of a young girl’s move toward rather than away from home unfolds. Ages 4 – 8.

Chooch Helped by Andrea L Rogers, illustrated by Rebecca Lee Kunz (48 pp, Levine Querido, 2024). Sissy’s younger brother Chooch isn’t a baby anymore. They just celebrated his second birthday, after all. But no matter what Chooch does–even if he’s messing something up! Which is basically all the time!–their parents say he’s “helping.” Sissy feels that Chooch can get away with anything! When Elisi paints a mural, Chooch helps. When Edutsi makes grape dumplings, Chooch helps. When oginalii gigs for crawdads, Chooch helps. When Sissy tries to make a clay pot, Chooch helps–“Hesdi!” Sissy yells. Quit it! And Chooch bursts into tears. What follows is a tender family moment that will resonate with anyone who has welcomed a new little one to the fold. Chooch Helped is a universal story of an older sibling learning to make space for a new child, told with grace by Walter Award-winner Andrea L. Rogers and stunning art from Rebecca Lee Kunz, and showing one Cherokee family practicing their cultural traditions. Ages 4 – 8.

Circle of Love by Monique Gray Smith, illustrated by Nicole Neidhardt (32 pp, Heartdrum, 2024). In this warmhearted book, we join Molly at the Intertribal Community Center, where she introduces us to people she knows and loves: her grandmother and her grandmother’s wife, her uncles and their baby, her cousins, and her treasured friends. They dance, sing, garden, learn, pray, and eat together. And tonight, they come together for a feast! Molly shares with the reader how each person makes her feel–and reminds us that love is love. Ages 4 – 8.

Classified: The Secret Career of Mary Golda Ross, Cherokee Aerospace Engineer by Brenda J. Child, illustrated by Jonathan Thunder, translation by Gordon Jourdain (32 pp, Millbrook Press, 2021). Mary Golda Ross designed classified airplanes and spacecraft as Lockheed Aircraft Corporation’s first female engineer. Find out how her passion for math and the Cherokee values she was raised with shaped her life and work. Ages 7 – 11.

Contenders: Two Native Baseball Players, One World Series by Traci Sorell, illustrated by Arigon Starr (48 pp, Kokila, 2023). The true story of John Meyers and Charles Bender, who in 1911 became the first two Native pro baseball players to face off in a World Series. This picture book teaches important lessons about resilience, doing what you love in the face of injustice, and the fight for Native American representation in sports. Ages 6 – 9.

The Forever Sky by Thomas Peacock, illustrated by Annette S. Lee (32 pp, Minnesota Historical Society Press, 2019). “Nooko’s spirit is there in the stars,” says Niigaanii to his younger brother, Bineshiinh, as they sprawl in a meadow, gazing skyward. Nooko was their grandmother, and they miss her. But Uncle helps them find comfort in the night sky, where all the stars have stories. Ages 3 – 7.

Fry Bread: A Native American Family Story by Kevin Noble Maillard, illustrated by Juana Martinez-Neal (48 pp, Roaring Brook Press, 2019). Told in lively and powerful verse by debut author Kevin Noble Maillard, Fry Bread is an evocative depiction of a modern Native American family, vibrantly illustrated by Pura Belpre Award winner and Caldecott Honoree Juana Martinez-Neal. Ages 3 – 6.

Heart Berry Bling by Jenny Kay Dupuis, illustrated by Eva Campbell (48 pp, Highwater Press, 2023). 

On a visit to her granny, Maggie is excited to begin her first-ever beading project: a pair of strawberry earrings. However, beading is much harder than she expected! As they work side by side, Granny shares how beading helped her persevere and stay connected to her Anishinaabe culture when she lost her Indian status, forcing her out of her home community–all because she married someone without status, something the men of her community could do freely. Ages 6 – 8.

I Sang You Down from the Stars by Tasha Spillett-Sumner, illustrated by Michaela Goade (32 pp, Little, Brown Books for Young Readers, 2021). This unique baby book sings with Native cultural detail, while striking a universal chord in its celebration of the blossoming of love that comes with expecting and welcoming a new baby–with art by New York Times bestselling illustrator and Caldecott Medalist Michaela Goade. Ages 4 – 8.

Jo Jo Makoons by Dawn Quigley, illustrated by Tara Audibert (80 pp, Heartdrum, 2020). Hello/Boozhoo—meet Jo Jo Makoons! Full of pride, joy, and plenty of humor, this first book in an all-new chapter book series by Dawn Quigley celebrates a spunky young Ojibwe girl who loves who she is. Ages 6 – 10.

Johnny’s Pheasant by Cheryl Minnema, illustrated by Julie Flett (32 pp, University of Minnesota Press, 2019). “Pull over, Grandma! Hurry!” Johnny says. Grandma does, and Johnny runs to show her what he spotted near the ditch: a sleeping pheasant. What Grandma sees is a small feathery hump. This encountertakes a surprising turn in this sweetly serious and funny story of a Native American boy and his grandma. Ages 3 – 8.

Josie Dances by Denise Lajimodiere, illustrated by Angela Erdrich (32 pp, Minnesota Historical Society Press, 2021). In this Ojibwe girl’s coming-of-age story, Denise Lajimodiere highlights her own daughter’s experience at powwow. Elegant artwork by Angela Erdrich features not only Josie and her family but also the animals and seasons and heartbeat of Aki, Mother Earth, and the traditions that link Josie to generations past and yet to come. Ages 3 – 7.

Kamik Takes the Lead by Darryl Baker, illustrated by Ali Hinch (32 pp, Inhabit Media, 2020). Jake and Kamik are finally ready to run their first dog sled race with a full team! But there is a lot to do to prepare, and Jake must follow his uncle’s lead if he and his dogs are going to be ready for the early spring race. Ages 5 – 7.

Let’s Go! by Julie Flett (44 pp, Greystone Kids, 2024). Let’s Go! is an extraordinary book that celebrates skateboarding, family, and community, from beloved artist and author Julie Flett, a winner of the New York Times / New York Public Library Best Illustrated Children’s Book Award. Every day, a little boy watches kids pass by on skateboards, and dreams of joining them. One day, his mother brings a surprise: her old skateboard, just for him! haw êkwa! Let’s go! Together, they practice on the sidewalk, at the park, in Auntie’s yard–everywhere. But when it comes time to try the skatepark, the skateboarders crash down like a waterfall. Can he find the confidence to join them? Ages 4 – 8.

A Letter for Bob by Kim Rogers, illustrated by Jonathan Nelson (32 pp, Heartdrum, 2023). Ever since the day Mom and Dad brought Bob home from the car dealership, Bob has been a part of Katie’s family. Bob has taken them all over, from powwows to vacations to time spent with faraway family. Bob has been there in sad and scary times and for some of the family’s most treasured memories. But after many miles, it’s time for the family to say goodbye to Bob… This humorous and tender story about a beloved family car–and all the stories and love carried along for the ride–will appeal to every kid whose family has owned a special car. Ages 4 – 8.

Look, Grandma! Ni, Elisi! by Art Coulson, illustrated by Madelyn Goodnight (32 pp, Charlesbridge Publishing, 2021). Bo wants to find the perfect container to show off his traditional marbles for the Cherokee national Holiday. It needs to be just the right size: big enough to fit all the marbles, but not too big to fit in his family’s booth at the festival for the Cherokee National Holiday. And it needs to look good! With his grandmother’s help, Bo tries many containers until he finds just the right one. A playful exploration of volume and capacity featuring Native characters and a glossary of Cherokee words. Ages 3 – 6.

My Powerful Hair by Carole Lindstrom, illustrated by Steph Littlebird (48 pp, Harry N. Abrams, 2023). Mom never had long hair–she was told it was too wild. Grandma couldn’t have long hair–hers was taken from her. But one young girl can’t wait to grow her hair long: for herself, for her family, for her connection to her culture and the Earth, and to honor the strength and resilience of those who came before her. Ages 4 – 8.

On the Trapline by David A. Robertson, illustrated by Julie Flett (48 pp, Tundra Books, 2021). A boy and Moshom, his grandpa, take a trip together to visit a place of great meaning to Moshom. A trapline is where people hunt and live off the land, and it was where Moshom grew up. As they embark on their northern journey, the child repeatedly asks his grandfather, Is this your trapline? Along the way, the boy finds himself imagining what life was like two generations ago — a life that appears to be both different from and similar to his life now. This is a heartfelt story about memory, imagination and intergenerational connection that perfectly captures the experience of a young child’s wonder as he is introduced to places and stories that hold meaning for his family. Ages 4 – 8.

The Range Eternal by Louise Erdich, illustrated by Steve Johnson and Lou Fancher (32 pp, University of Minnesota Press, 2020). At the heart of a home in the Turtle Mountains sits a woodstove. It is where Mama makes her good soup, where she cooks a potato for warming hands on icy mornings, where she heats a stone for warming cold toes at night. It warms the winter nights and keeps Windigo, the ice monster, at bay. On the stove’s blue enamel door are raised letters, The Range Eternal, and in the dancing flames through the window below, a child can see pictures: the range of the buffalo, the wolf and the bear, the eagles and herons and cranes: truly, the Range Eternal. Ages 5 – 9.

Remember by Joy Harjo, illustrated by Michaela Goade (40 pp, Random House Studio, 2023). So begins the picture book adaptation of the renowned poem that encourages young readers to reflect on family, nature, and their heritage. In simple and direct language, Harjo, a member of the Mvskoke Nation, urges readers to pay close attention to who they are, the world they were born into, and how all inhabitants on earth are connected. Michaela Goade, drawing from her Tlingit culture, has created vivid illustrations that make the words come alive in an engaging and accessible way. Ages 4 – 8.

Rock Your Mocs by Laurel Goodluck, illustrated by Madelyn Goodnight (32 pp, Heartdrum, 2023). In this happy, vibrant tribute to Rock Your Mocs Day, observed yearly on November 15, author Laurel Goodluck (Mandan, Hidatsa, and Tsimshian) and artist Madelyn Goodnight (Chickasaw) celebrate the joy and power of wearing moccasins–and the Native pride that comes with them. A perfect book for Native American Heritage Month and all year round! Ages 4 – 8.

Sharice’s Big Voice: A Native Kid Becomes a Congresswoman by Sharice Davids and Nancy K. Mays, illustrated by Joshua Mangeshig Pawis-Steckley (40 pp, HarperCollins, 2021). This acclaimed picture book autobiography tells the triumphant story of Sharice Davids, one of the first Native American women elected to Congress, and the first LGBTQ congressperson to represent Kansas. Ages 4 – 8.

Still This Love Goes On by Buffy Sainte-Marie, illustrated by Julie Flett (40 pp, Greystone Kids, 2022). Based on Sainte-Marie’s song of the same name, Still This Love Goes On combines Flett’s breathtaking art with vivid lyrics to craft a stunning portrait of a Cree worldview. At the heart of this picture book is a gentle message about missing our loved ones, and the promise of seeing each other again. Ages 3 – 7.

This Land by Ashley Fairbanks, illustrated by Bridget George (40 pp, Crown Books for Young Readers, 2024). Before my family lived in this house, a different family did, and before them, another family, and another before them. And before that, the family lived here, not in a house, but a wigwam. Who lived where you are before you got there? This Land teaches readers that American land, from our backyards to our schools to Disney World, are the traditional homelands of many Indigenous nations. This Land will spark curiosity and encourage readers to explore the history of the places they live and the people who have lived there throughout time and today. Ages 4 – 8.

We Are Still Here!: Native American Truths Everyone Should Know by Traci Sorell, illustrated by Frane Lessac (40 pp, Charlesbridge, 2018). Too often, Native American history is treated as a finished chapter instead of relevant and ongoing. This companion book to the award-winning We Are Grateful: Otsaliheliga offers readers everything they never learned in school about Native American people’s past, present, and future. Precise, lyrical writing presents topics including: forced assimilation (such as boarding schools), land allotment and Native tribal reorganization, termination (the US government not recognizing tribes as nations), Native urban relocation (from reservations), self-determination (tribal self-empowerment), Native civil rights, the Indian Child Welfare Act (ICWA), religious freedom, economic development (including casino development), Native language revival efforts, cultural persistence, and nationhood. Ages 7 – 10. 

We Are Water Protectors by Carole Lindstrom, illustrated by Michaela Goade (40 pp, Roaring Brook Press, 2020). Inspired by the many Indigenous-led movements across North America, We Are Water Protectors issues an urgent rallying cry to safeguard the Earth’s water from harm and corruption―a bold and lyrical picture book written by Carole Lindstrom and vibrantly illustrated by Michaela Goade. Ages 3 – 6.

An Indigenous Peoples’ History of the United States for Young People by Jean Mendoza, Debbie Reese and Roxanne Dunbar-Ortiz (272 pp, Beacon Press, 2019). Going beyond the story of America as a country “discovered” by a few brave men in the “New World,” Indigenous human rights advocate Roxanne Dunbar-Ortiz reveals the roles that settler colonialism and policies of American Indian genocide played in forming our national identity. Ages 12 and up.

Ancestor Approved: Intertribal Stories for Kids, edited by Cynthia Leitich Smith (320 pp, Heartdrum, 2021). Edited by award-winning and bestselling author Cynthia Leitich Smith, this collection of intersecting stories by both new and veteran Native writers bursts with hope, joy, resilience, the strength of community, and Native pride. Ages 8 – 12.

Apple in the Middle by Dawn Quigley (264 pp, North Dakota University, 2020). Apple Starkington turned her back on her Native American heritage the moment she was called a racial slur for someone of white and Indian descent. Too bad the white world doesnt accept her either. And so begins her quirky habits to gain acceptance. Bouncing in the middle of two cultures, Apple meets her Indian relatives, shatters Indian stereotypes, and learns what it means to find her place in a world divided by color. Ages 13 and up.

Apple (Skin to the Core) by Eric Gansworth (352 pp, Levine Querido, 2020). The term “Apple” is a slur in Native communities across the country. It’s for someone supposedly “red on the outside, white on the inside.” In APPLE (SKIN TO THE CORE), Eric Gansworth tells his story, the story of his family—of Onondaga among Tuscaroras—of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Ages 12 and up.

The Barren Grounds: The Misewa Saga, Book One by David A. Robertson (256 pp, Puffin Books, 2021). Morgan and Eli, two Indigenous children forced away from their families and communities, are brought together in a foster home in Winnipeg, Manitoba. They each feel disconnected, from their culture and each other, and struggle to fit in at school and at their new home — until they find a secret place, walled off in an unfinished attic bedroom. A portal opens to another reality, Askí, bringing them onto frozen, barren grounds, where they meet Ochek (Fisher). The only hunter supporting his starving community, Misewa, Ochek welcomes the human children, teaching them traditional ways to survive. But as the need for food becomes desperate, they embark on a dangerous mission. Accompanied by Arik, a sassy Squirrel they catch stealing from the trapline, they try to save Misewa before the icy grip of winter freezes everything — including them. Ages 10 and up.

Borders by Thomas King, illustrated by Natasha Donovan (192 pp, Little, Brown Books for Young Readers, 2022). Borders is a masterfully told story of a boy and his mother whose road trip from Alberta to Salt Lake City is thwarted at the border when they identify their citizenship as Blackfoot. Refusing to identify as either American or Canadian first bars their entry into the US, and then their return into Canada. In the limbo between countries, they find power in their connection to their identity and to each other. Ages 8 – 12.

Braiding Sweetgrass for Young Adults: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants by Monique Gray Smith and Robin Wall Kimmerer, illustrated by Nicole Neidhardt (304 pp, Zest Books, 2022). Drawing from her experiences as an Indigenous scientist, botanist Robin Wall Kimmerer demonstrated how all living things–from strawberries and witch hazel to water lilies and lichen–provide us with gifts and lessons every day in her best-selling book Braiding Sweetgrass. Adapted for young adults by Monique Gray Smith, this new edition reinforces how wider ecological understanding stems from listening to the earth’s oldest teachers: the plants around us. With informative sidebars, reflection questions, and art from illustrator Nicole Neidhardt, Braiding Sweetgrass for Young Adults brings Indigenous wisdom, scientific knowledge, and the lessons of plant life to a new generation. Ages 12 – 18.

The Case of Windy Lake by Michael Hutchinson (160 pp, Second Story Press, 2019). Sam, Otter, Atim and Chickadee are four cousins growing up on the Windy Lake First Nation. When a visiting archeologist goes missing, the cousins decide to solve the mystery of his disappearance. In the midst of community conflict, family concerns and environmental protests, the four get busy following every lead. They’ll do what it takes to solve the case! Ages 9 – 12.

Elatsoe by Darcie Little Badger (368 pp, Levine Querido, 2020). Elatsoe—Ellie for short—lives in an alternate contemporary America shaped by the ancestral magics and knowledge of its Indigenous and immigrant groups. She can raise the spirits of dead animals—most importantly, her ghost dog Kirby. When her beloved cousin dies, all signs point to a car crash, but his ghost tells her otherwise: He was murdered. Who killed him and how did he die? With the help of her family, her best friend Jay, and the memory great, great, great, great, great, great grandmother, Elatsoe, must track down the killer and unravel the mystery of this creepy town and its dark past. But will the nefarious townsfolk and a mysterious Doctor stop her before she gets started? Ages 12 and up.

Everything You Wanted to Know About Indians but Were Afraid to Ask (Young Readers Edition) by Anton Treuer (400 pp, Levine Querido, 2021). From the acclaimed Ojibwe author and professor Anton Treuer comes an essential book of questions and answers for Native and non-Native young readers alike. Ranging from “Why is there such a fuss about nonnative people wearing Indian costumes for Halloween?” to “Why is it called a ‘traditional Indian fry bread taco’?” to “What’s it like for natives who don’t look native?” to “Why are Indians so often imagined rather than understood?”, and beyond, Everything You Wanted to Know About Indians But Were Afraid to Ask (Young Readers Edition) does exactly what its title says for young readers, in a style consistently thoughtful, personal, and engaging.
Ages 12 and up.

Firekeeper’s Daughter by Angeline Boulley (496 pp, Henry Holt, 2021). Eighteen-year-old Daunis Fontaine has never quite fit in, both in her hometown and on the nearby Ojibwe reservation. She dreams of a fresh start at college, but when family tragedy strikes, Daunis puts her future on hold to look after her fragile mother. The only bright spot is meeting Jamie, the charming new recruit on her brother Levi’s hockey team. Yet even as Daunis falls for Jamie, she senses the dashing hockey star is hiding something. Everything comes to light when Daunis witnesses a shocking murder, thrusting her into an FBI investigation of a lethal new drug. Ages 14 – 18.

Harvest House by Cynthia Leitich Smith (320 pp, Candlewick Press, 2023). Deftly leading readers to the literary crossroads of contemporary realism and haunting mystery, Cynthia Leitich Smith revisits the world of her American Indian Youth Literature Award winner Hearts Unbroken. Halloween is near, and Hughie Wolfe is volunteering at a new rural attraction: Harvest House. He’s excited to take part in the fun, spooky show–until he learns that an actor playing the vengeful spirit of an “Indian maiden,” a ghost inspired by local legend, will headline. Folklore aside, unusual things have been happening at night at the crossroads near Harvest House. A creepy man is stalking teenage girls and young women, particularly Indigenous women; dogs are fretful and on edge; and wild animals are behaving strangely. While Hughie weighs how and when to speak up about the bigoted legend, he and his friends begin to investigate the crossroads and whether it might be haunted after all. As Moon rises on All Hallow’s Eve, will they be able to protect themselves and their community? Gripping and evocative, Harvest House showcases a versatile storyteller at her spooky, unsettling best. Ages 14 and up.

Healer of the Water Monster by Brian Young (368 pp, Heartdrum, 2021). When Nathan goes to visit his grandma, Nali, at her mobile summer home on the Navajo reservation, he knows he’s in for a pretty uneventful summer, with no electricity or cell service. Still, he loves spending time with Nali and with his uncle Jet, though it’s clear when Jet arrives that he brings his problems with him. One night, while lost in the nearby desert, Nathan finds someone extraordinary: a Holy Being from the Navajo Creation Story–a Water Monster–in need of help. Now Nathan must summon all his courage to save his new friend. With the help of other Navajo Holy Beings, Nathan is determined to save the Water Monster, and to support Uncle Jet in healing from his own pain. Ages 8 – 12.

Hearts Unbroken by Cynthia Leitich Smith (304 pp, Candlewick, 2020). Louise Wolf spends her time with her family and friends and working on the school newspaper. The paper’s staff find themselves with a major story to cover: the school musical director’s inclusive approach to casting The Wizard of Oz has been provoking backlash in their mostly white, middle-class Kansas town. New York Times best-selling author Cynthia Leitich Smith turns to realistic fiction with the thoughtful story of a Native teen navigating the complicated, confusing waters of high school— and first love. Ages 14 – 17.

I Can Make This Promise by Christine Day (272 pp, Quill Tree Books, 2019). All her life, Edie has known that her mom was adopted by a white couple. So, no matter how curious she might be about her Native American heritage, Edie is sure her family doesn’t have any answers. Until the day when she and her friends discover a box hidden in the attic. In her debut middle grade novel—inspired by her family’s history—Christine Day tells the story of a girl who uncovers her family’s secrets—and finds her own Native American identity. Ages 8 – 12.

Indian No More by Charlene Willing McManis and Traci Sorell (223 pp, Tu Books, 2020). Regina Petit’s family has always been Umpqua, and living on the Grand Ronde Tribe’s reservation is all ten-year-old Regina has ever known. But when the federal government enacts a law that says Regina’s tribe no longer exists, Regina becomes “Indian no more” overnight. Ages 9 – 12.

Notable Native People: 50 Indigenous Leaders, Dreamers, and Changemakers from Past and Present by Adrienne Keene, illustrated by Ciara Sana (144 pp,
Ten Speed Press, 2021). Celebrate the lives, stories, and contributions of Indigenous artists, activists, scientists, athletes, and other changemakers in this beautifully illustrated collection. From luminaries of the past, like nineteenth-century sculptor Edmonia Lewis–the first Black and Native American female artist to achieve international fame–to contemporary figures like linguist jessie little doe baird, who revived the Wampanoag language, Notable Native People highlights the vital impact Indigenous dreamers and leaders have made on the world.

Powwow Summer by Nahanni Shingoose (216 pp, Lorimer Children & Teens, 2020). River is teased about her Indigenous heritage as a young girl, and she struggles with her identity. The highlight of her summer is attending the annual powwow with her new friends. After the powwow, River drinks too much and posts photos online that anger people, and she has her right to identify as an Indigenous person called into question. Ages 13 – 18.

Rez Ball by Byron Graves (368 pp, Heartdrum, 2023). This compelling debut novel by new talent Byron Graves tells the relatable, high-stakes story of a young athlete determined to play like the hero his Ojibwe community needs him to be. Ages 13 – 17.

The Ribbon Skirt by Cameron Mukwa (192 pp, Graphix, 2024). Ten-year-old Anang wants to make a ribbon skirt, a piece of clothing typically worn by girls in the Anishinaabe tradition, for an upcoming powwow. Anang is two-spirit and nonbinary and doesn’t know what others will think of them wearing a ribbon skirt, but they’re determined to follow their heart’s desire. Anang sets off to gather the materials needed to make the skirt and turns to those around them — their family, their human and turtle friends, the crows, and even the lake itself — for help. And maybe they’ll even find a new confidence within themself along the way. Ages 8 – 12.

The Sea in Winter by Christine Day (272 pp, Heartdrum, 2021). It’s been a hard year for Maisie Cannon, ever since she hurt her leg and could not keep up with her ballet training and auditions. Her blended family is loving and supportive, but Maisie knows that they just can’t understand how hopeless she feels. With everything she’s dealing with, Maisie is not excited for their family midwinter road trip along the coast, near the Makah community where her mother grew up. Ages 8 – 12.

Sisters of the Neversea by Cynthia L. Smith (320 pp, Heartdrum, 2021). Lily and Wendy have been best friends since they became stepsisters. But with their feuding parents planning to spend the summer apart, what will become of their family–and their friendship? Little do they know that a mysterious boy has been watching them from the oak tree outside their window. A boy who intends to take them away from home for good, to an island of wild animals, Merfolk, Fairies, and kidnapped children, to a sea of merfolk, pirates, and a giant crocodile. A boy who calls himself Peter Pan. Ages 8 and up.

The Summer of Bitter and Sweet by Jen Ferguson (384 pp, Heartdrum, 2022). Lou has enough confusion in front of her this summer. She’ll be working in her family’s ice-cream shack with her newly ex-boyfriend–whose kisses never made her feel desire, only discomfort–and her former best friend, King, who is back in their Canadian prairie town after disappearing three years ago without a word. But when she gets a letter from her biological father–a man she hoped would stay behind bars for the rest of his life–Lou immediately knows that she cannot meet him, no matter how much he insists. While King’s friendship makes Lou feel safer and warmer than she would have thought possible, when her family’s business comes under threat, she soon realizes that she can’t ignore her father forever. Ages 13 – 17.

Weird Rules to Follow by Kim Spencer (192 pp, Orca Book Publishers, 2022).

In the 1980s, the coastal fishing town of Prince Rupert is booming. There is plenty of sockeye salmon in the nearby ocean, which means the fishermen are happy and there is plenty of work at the cannery. Eleven-year-old Mia and her best friend, Lara, have known each other since kindergarten. Like most tweens, they like to hang out and compare notes on their crushes and dream about their futures. But even though they both live in the same cul-de-sac, Mia’s life is very different from her non-Indigenous, middle-class neighbor. Lara lives with her mom, her dad and her little brother in a big house, with two cars in the drive and a view of the ocean. Mia lives in a shabby wartime house that is full of relatives–her churchgoing grandmother, binge-drinking mother and a rotating number of aunts, uncles and cousins. Even though their differences never seemed to matter to the two friends, Mia begins to notice how adults treat her differently, just because she is Indigenous. Teachers, shopkeepers, even Lara’s parents–they all seem to have decided who Mia is without getting to know her first. Ages 9 – 12.

We Still Belong by Christine Day (256 pp, Heartdrum, 2023). A thoughtful and heartfelt middle grade novel by American Indian Youth Literature Honor-winning author Christine Day (Upper Skagit), about a girl whose hopeful plans for Indigenous Peoples’ Day (and plans to ask her crush to the school dance) go all wrong–until she finds herself surrounded by the love of her Indigenous family and community at an intertribal powwow. Ages 8 – 12.

Bury My Heart at Chuck E. Cheese’s by Tiffany Midge (216 pp, Bison Books, 2019). Why is there no Native woman David Sedaris? Or Native Anne Lamott? Humor categories in publishing are packed with books by funny women and humorous sociocultural-political commentary—but no Native women. There are presumably more important concerns in Indian Country. More important than humor? Among the Diné/Navajo, a ceremony is held in honor of a baby’s first laugh. While the context is different, it nonetheless reminds us that laughter is precious, even sacred.

Even As We Breathe by Annette Saunooke Clapsaddle (240 pp, Fireside Industries, 2020). Nineteen-year-old Cowney Sequoyah yearns to escape his hometown of Cherokee, North Carolina, in the heart of the Smoky Mountains. When a summer job at Asheville’s luxurious Grove Park Inn and Resort brings him one step closer to escaping the hills that both cradle and suffocate him, he sees it as an opportunity. But soon, Cowney’s refuge becomes a cage when the daughter of one of the residents goes missing and he finds himself accused of abduction and murder.

The Heartbeat of Wounded Knee: Native America from 1890 to the Present by David Treuer (528pp, Riverhead Books, 2019). The received idea of Native American history—as promulgated by books like Dee Brown’s mega-bestselling 1970 Bury My Heart at Wounded Knee—has been that American Indian history essentially ended with the 1890 massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U. S. Cavalry, the sense was, but Native civilization did as well. Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear—and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence—the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention.

Man Made Monsters by Andrea Rogers, illustrated by Jeff Edwards (320 pp, Levine Querido, 2022). Following one extended Cherokee family across the centuries, from the tribe’s homelands in Georgia in the 1830s to World War I, the Vietnam War, our own present, and well into the future, each story delivers a slice of a particular time period that will leave readers longing for more.

A Mind Spread Out on the Ground by Alicia Elliott (256 pp, Melville House, 2020). The Mohawk phrase for depression can be roughly translated to “a mind spread out on the ground.” In this urgent and visceral work, Alicia Elliott explores how apt a description that is for the ongoing effects of personal, intergenerational, and colonial traumas she and so many Native people have experienced.

My Good Man by Eric Gansworth (400 pp, Levine Querido, 2022). Brian, a 20-something reporter on the Niagara Cascade’s City Desk, is navigating life as the only Indigenous writer in the newsroom, being lumped into reporting on stereotypical stories that homogenize his community, the nearby Tuscarora reservation. But when a mysterious roadside assault lands Tim, the brother of Brian’s mother’s late boyfriend in the hospital, Brian must pick up the threads of a life that he’s abandoned.

Moon of the Turning Leaves by Waubgeshig Rice (320 pp, William Morrow, 2024). For the past twelve years, a community of Anishinaabe people have made the Northern Ontario bush their home in the wake of the power failure that brought about societal collapse. Since then they have survived and thrived the way their ancestors once did, but their natural food resources are dwindling, and the time has come to find a new home. Evan Whitesky volunteers to lead a mission south to explore the possibility of moving back to their original homeland, the “land where the birch trees grow by the big water” in the Great Lakes region. Accompanied by five others, including his daughter Nangohns, an expert archer, Evan begins a journey that will take him to where the Anishinaabe were once settled, near the devastated city of Gibson, a land now being reclaimed by nature. But it isn’t just the wilderness that poses a threat: they encounter other survivors. Those who, like the Anishinaabe, live in harmony with the land, and those who use violence.

Never Whistle at Night edited by Theodore C. Van Alst and Shane Hawk (416 pp, Vintage, 2023). Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

The Seed Keeper by Diane Wilson (372 pp, Milkweed Editions, 2021). A haunting novel spanning several generations, The Seed Keeper follows a Dakhóta family’s struggle to preserve their way of life, and their sacrifices to protect what matters most. Rosalie Iron Wing has grown up in the woods with her father, Ray, a former science teacher who tells her stories of plants, of the stars, of the origins of the Dakhóta people. Until, one morning, Ray doesn’t return from checking his traps. Told she has no family, Rosalie is sent to live with a foster family in nearby Mankato―where the reserved, bookish teenager meets rebellious Gaby Makespeace, in a friendship that transcends the damaged legacies they’ve inherited. On a winter’s day many years later, Rosalie returns to her childhood home. A widow and mother, she has spent the previous two decades on her white husband’s farm, finding solace in her garden even as the farm is threatened first by drought and then by a predatory chemical company. Now, grieving, Rosalie begins to confront the past, on a search for family, identity, and a community where she can finally belong.

The Sentence by Louise Erdrich (400 pp, Harper, 2021). Louise Erdrich’s latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store’s most annoying customer. Flora dies on All Souls’ Day, but she simply won’t leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading with murderous attention, must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.

The Serviceberry: Abundance and Reciprocity in the Natural World by Robin Wall Kimmerer, illustrated by John Burgoyne (128 pp, Scribner, 2024). As Indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution ensures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.”

Spílexm: A Weaving of Recovery, Resilience, and Resurgence by Nicola I Campbell (336 pp, Highwater Press, 2021).

In the Nleʔkepmxcín language, spíləx̣m are remembered stories, often shared over tea in the quiet hours between Elders. Rooted within the British Columbia landscape, and with an almost tactile representation of being on the land and water, Spíləx̣m explores resilience, reconnection, and narrative memory through stories.

There There by Tommy Orange (304 pp, Vintage, 2019). Tommy Orange’s wondrous and shattering bestselling novel follows twelve characters from Native communities: all traveling to the Big Oakland Powwow, all connected to one another in ways they may not yet realize. Together, this chorus of voices tells of the plight of the urban Native American—grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism.

Wandering Stars by Tommy Orange (336 pp, Knopf Publishing Group, 2024). Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines.

When the Light of the World Was Subdued, Our Stories Came Through: A Norton Anthology of Native Nations Poetry by Joy Harjo (496 pp, W.W. Norton & Company, 2020). This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries. Opening with a blessing from Pulitzer Prize–winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organized sections. Each section begins with a poem from traditional oral literatures and closes with emerging poets.

Where the Dead Sit Talking by Brandon Hobson (288 pp, Soho Press, 2019). With his single mother in jail, Sequoyah, a fifteen-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his mother’s years of substance abuse, Sequoyah keeps mostly to himself. At least until he meets seventeen-year-old Rosemary. But as Sequoyah’s feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.